Windows into the past

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September Saturday Morning in Tallahassee

Saturday mornings are my favorite – personally and for documentary photography. Waking up a bit late, cooking a full delicious breakfast and then just spending quality time with the family is the best. 

I spent Saturday following this family around their home while the kids played, ran from room to room, hosted a very serious tea party, climbed on the swings, and generally forgot there was a camera there. We had a great time – genuine interactions require people to feel comfortable and at ease – this is my specialty.
Documentary family photography isn’t about finding the cleanest wall in the house or getting everyone into the same pose. I’m looking for layers, relationships, little gestures, the way a home feels, and all of the wonderfully ordinary things that will eventually become very specific memories.
 
The toy kitchen in the corner. Bare feet on the floor. A child disappearing through a doorway. Mom sitting down at their level. Dad getting pulled into the game. The kind of photographs that may become more important with every year that passes.
 
These are just a handful of the images produced for this family. Typically a session generates anywhere from 50-90 images. I keep it under 100 because it becomes a bit overwhelming for a client to go through them all and digest their favorites. The more curated results, the better. 
 
Read more about the approach and style here Family Documentary Photography
 
Want to book a session – my calendar is up to date: Booking

Couples photoshoot with Vintage Porsche 924

A couple reached out to me wanting to take some photos – while couples photography was originally something I haven’t fully explored – this was a great opportunity to see how the documentary approach would resolve. The results were stunning.

Couples photoshoot with vintage Porsche 924

This couple have a vintage Porsche 924, a gorgeous Guards red coupe. They wanted to shoot in downtown Havana, FL – a place they both spend alot of time in and live near. A historical space with beautiful buildings made for a great backdrop. What wasn’t great was the weather. Overcast, misty and grey – but we decided lets make the best of it. 

Couple in downtown Havana, FL

The vibes were great, these two are so in love and you can see it in these images. I just let them be, interact as normal. No posing, no staging – some directing on where to put the car but that’s it. The results are these stunning genuine moments between these two.

The rain was a little bit of a problem, but we made it work. I think the raindrops add character, and resulted in moody, sultry images.

Havana Florida photoshoot

There was a mix of focus on the car, the couple and the car, and then the couple themselves. Not everything had to be with the car, so we walked around and explored downtown Havana.

Porsche 924 couples photoshoot

A Beautiful Morning in Georgia

I got to spend a crisp morning in Georgia with this beautiful mother and daughter duo. Dad is away for work and missing his family – these photos will bring help him back into their daily life – even from afar. Baby girl is the most precious thing and truly stole the show, we had a fantastic morning and I casually shot as they went about their morning routine.

Fujifilm X-T5XF23mm 1.4 R LM WR

Shooting candid shots in the home can have some limitations – this home did not have a ton of natural light and with documentary style photography there is no flash. Thankfully my Fujifilm XF 23mm F1.4 R LM WR lens was perfect for this low light setting. The outcome is beautiful – only an hours time but the story really speaks for itself.

Welcome to Paper Windows Journal

Welcome to the Paper Windows journal. A place to learn more about us, look at awesome pictures, and learn about photography. 

A bit of background about myself – I am a Florida native – I actually grew up nearby about an hour west of Tallahassee. Right out of high school I moved to Miami, where I attended art school and worked in the fashion industry for about 8 years. During my time in Miami, I really explored the arts, and was able to travel to Fashion Week through the years and work with famous photographers with my daily work. This lead me to my own photography hobby – I loved photographing my travels across the world.

 

 

I then moved to Texas to pursue my own endeavors and started a clothing accessory company that I ran for over 10 years. During that time I was responsible for everything but also was able to really explore photography in different aspects – commercial product photography and children’s advert photography. All of these contributed to the success of my company and then COVID hit. During the COVID 19 shutdown not only did we hit hard times, but I had decided I wanted to pursue my other passion full time – data science. I left my company and pursued formal data science and now work as a data architect. Through my time in tech I have further explored photography while being able to incorporate technology.

Then comes my family – just a few short years ago I had my first baby – and I found I really lots of pictures. Not iPhone pictures, and not studio pictures (which I do have and are great), and not sitting in a field (which I also have and are great) but I wanted beautiful candid shots. So, I began taking pictures of my family, so many of my little boy, then friends and family. I really wish I had captured more in the beginning, those first few days. Everything was such a whirlwind I just didn’t get hardly any pictures, and now in retrospect, they would have been the most important ones I have.  

This is why I decided to offer a limited selection of photography as a service – only within my style of expertise and only within my focus of expertise. Families, mothers and babies. Becoming a mother was the most amazing and challenging part of my life so far, and I have so much admiration for women and mothers – I want to capture the real pictures that will mean the most to you down the line.

Documentary Photography for Maternity

Pregnancy has a strange way of making time feel both incredibly slow and impossibly fast.

There are the obvious things you might want to remember — the shape of your belly, the anticipation, the way you looked during this brief season. But there are quieter things happening too. The half-finished nursery. A stack of tiny clothes waiting on a chair. Your partner reaching for you as you pass each other in the kitchen. The way your home looks just before someone new arrives and changes the rhythm of everything. Those are the things I’m interested in photographing.

 

Maternity photography is often centered on pregnancy itself: the shape of your body, the nursery, the anticipation of a baby who is almost here. I think there is another part worth remembering. This is also the final chapter of your family exactly as it exists right now.

Maternity photographs don’t have to feel like a photo shoot

There is nothing wrong with a beautiful portrait, but maternity photographs don’t have to mean standing in a field at sunset, wearing something you would never normally wear and spending an hour thinking about where to put your hands.

Documentary maternity photography begins somewhere else. Instead of creating an entirely separate version of your life for the camera, we photograph within the one you are already living.

You might make coffee in the kitchen, sit in the nursery sorting tiny clothes, water the garden, read on the couch or spend a slow morning with your family. If you have older children, they will probably wander in and out of the photographs. Someone may ask for a snack. The dog might insist on being involved. A room may not be perfectly clean.

None of that gets in the way of the photographs. It gives them context.

The point is not to make pregnancy look like something it wasn’t. It is to make beautiful photographs of what this particular season of your life actually felt like.

Your home is part of what you are waiting inside

I love photographing maternity sessions at home because houses quietly become part of our family history. We rarely notice it while we’re living there, but years later a photograph of an ordinary room can bring back an astonishing amount.

You may notice the kitchen where you ate breakfast every morning, the chair you always sat in when you were tired, the stack of baby books on a shelf or the half-finished nursery that once felt like the most important room in the house. You might remember the way afternoon light came through a particular window or the place where your oldest child always climbed into your lap.

Those details don’t need to be staged to matter.

Your house doesn’t need to look like it belongs in a magazine, either. The toys, unfinished projects, laundry baskets and evidence of actual life are often what make the photographs more meaningful later. They give the images a sense of place and make them belong specifically to your family rather than to an idea of what maternity photographs are supposed to look like.

Beautiful doesn’t have to mean perfect

Documentary photography is not the absence of intention. I am still thinking carefully about light, composition, color, movement and the relationships happening inside the frame. I may move us toward a window, photograph through a doorway, wait for someone to enter the right patch of light or suggest something simple that allows a moment to unfold naturally.

What I am not trying to do is remove every imperfect thing until the photograph no longer feels like real life.

Some of my favorite images include the things that traditional portrait photography might try to eliminate: a person partially leaving the frame, a room falling into darkness behind someone, a hand reaching into the photograph, a child interrupting or a moment caught before anyone has had time to arrange themselves.

Those details can make a photograph feel more honest and, often, more visually interesting. I want the photographs to feel considered without feeling manufactured.

 

This is about more than remembering what pregnancy looked like

It makes sense to want photographs of your pregnant body. Pregnancy is brief, even when it doesn’t feel that way while you’re in it, and your body is doing something extraordinary.

But years later, the photographs may hold something else too.

If this is your first baby, they will show the final months when your family was still just the two of you. The quiet evenings, the anticipation and the strange in-between period before you became parents.

If you already have children, these photographs hold another kind of transition. They show the last stretch of time before your oldest became a sibling, before the rhythms of the house shifted and before another little person took up their place in the middle of everything.

That is what makes maternity photographs interesting to me. They are not only photographs of someone waiting for a baby.

They are photographs of a family on the edge of becoming something new.

You don’t need to know what to do in front of the camera

A lot of people feel uncomfortable with the idea of being photographed because they assume it means they will need to perform for the camera. They worry about posing correctly, knowing what to do with their hands or somehow appearing natural while being intensely aware that someone is taking their picture.

You don’t need to know how to do any of that.

A documentary maternity session has enough structure that you won’t feel abandoned in front of the camera, but not so much that the afternoon becomes a sequence of poses. We may loosely plan a few things that give the session some rhythm, especially activities that are already part of your life. From there, I pay attention to what happens between the planned moments.

Sometimes the photograph is the thing we expected. Sometimes it happens immediately afterward.

The goal is for you to spend less time thinking about how you look in the photograph and more time actually being inside the day.

A photograph of the before

There will eventually be a last evening before your baby is born.

A last weekend when the nursery is still waiting. A last morning when your family exists in exactly this configuration. If you have an older child, there will be a last time you pick them up as your youngest child without realizing it is the last time that version of the family exists.

Then the baby arrives, and life moves forward.

The nursery becomes a real child’s room. The tiny clothes are worn and outgrown. The routines change. The things that felt unfinished become part of the past.

This is why I think maternity photographs can matter so much. They give you something from that strange, temporary space before everything changes.

Not just a record of what pregnancy looked like.

A record of the life that surrounded it.

Hey Mom! You Were There Too

There are probably hundreds, maybe thousands, of photographs of your children on your phone. Your baby asleep on your partner’s chest. Your toddler laughing at the breakfast table. Dad carrying someone through the yard or curled up with them on the couch. Bath time, bedtime, birthday mornings, ordinary Saturdays. You took those photographs because you noticed something worth keeping.

And because you were the one taking them, you are probably missing from more of your family’s story than you realize.

Mothers are often the family historians

In so many families, Mom is the person who notices. You see the way your baby reaches for Dad’s face, the way your child looks when they’re concentrating, or the way everyone somehow ends up tangled together on the couch at the end of the day. You see the photograph before anyone else does, so you reach for your phone and make it.

Over time, though, a strange version of family history can start to form. There are photographs of the children, photographs of Dad with the children, photographs of vacations and birthdays and Christmas mornings. Then there are a handful of photographs of Mom: maybe a Mother’s Day picture, a selfie, or the occasional photo you specifically asked someone else to take.

You were there for all of it, but the photographs don’t always show that.

The photographs mothers want aren’t necessarily portraits

When a mother says she doesn’t have enough pictures with her children, I don’t think she is usually asking for more photographs of everyone standing together and smiling at the camera. She wants the kinds of pictures she takes herself.

She wants a photograph of the baby sleeping against her shoulder, or the toddler climbing into her lap while she’s trying to drink coffee. She wants the bedtime books, the hair brushing after a bath, the child hanging onto her leg in the kitchen, the small hand that automatically reaches for hers when they cross a room.

These are not extraordinary events. They’re the repetitive, ordinary pieces of family life that are easy to overlook because they happen constantly. But they’re also the things that change quietly and disappear before you realize they were ending.

Those are the photographs mothers make of everyone else. They deserve to exist in them too.

Why I photograph families this way

Documentary family photography gives me the freedom to pay attention to what is already happening rather than constantly interrupting it to make a picture. I’m watching how your children interact with you when no one is asking them to smile, how you instinctively touch their hair when they pass you, how they climb onto you without asking, and how your family moves around one another in the spaces you live in every day. These are the pictures I want myself – the pictures I wish that I had.

That doesn’t mean there is no thought behind the photographs. I’m paying attention to light, composition, gesture, movement and the relationships happening within a frame. I may move us toward a room with better light or suggest an activity that gives everyone somewhere natural to settle. But I am not trying to manufacture a version of your family that only exists for the camera.

The goal is not to create evidence that your family looked perfect. The goal is to create evidence that this was your life together, and that you were part of it.

Your children will want photographs of you, too

We tend to think about family photographs as something we are making for ourselves, but eventually they become part of our children’s history. Years from now, they will look through these pictures and notice things that probably felt unimportant when the photograph was taken: the house they grew up in, the chair everyone sat in, the toys scattered across the floor, the way their parents looked when they were young.

And they will look for you.

They won’t care that you hadn’t done your hair that morning or that the kitchen wasn’t spotless. They won’t study the parts of yourself you were self-conscious about. They will see their mother holding them, laughing with them, reading to them, comforting them and living alongside them.

They will get to see what it looked like to be loved by you.

For once, you don’t have to be the one taking the picture

Maybe this is one of the simplest reasons to have your family photographed. For a little while, you don’t have to be the person documenting everyone else.

You don’t have to notice a beautiful moment and immediately reach for your phone. You don’t have to hand the camera to someone and explain what you want. You don’t have to decide whether to stay inside the moment or step outside of it long enough to preserve it.

You can just be there.

I’ll notice the rest.